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by Ron Hutchinson
Hollywood, 1939: semi-independent mogul David O. Selznick has just shut down production on the most eagerly anticipated movie in history, Gone with the Wind, scrapping the original script and sacking the director in the process. His reputation on the line, Selznick locks himself in his office with two reluctant collaborators determined to produce a rewrite in five days. With nothing but peanuts and bananas to sustain them, a marathon creative session begins.